Oreste Biancoli

(1897 – 1971)

 

 

Parents Count Carlo and Matilde Badia. After completing high school, he enrolled in law school, he had to stop because he called in the army, but in 1918 he resumed his studies and graduated three years later. Deals with journalism, collaborating with Il resto del carlino and Century in Milan. Signing articles and movies with the pseudonyms Silvio d'arena and Hobbies, and wrote his first play the man of Birzulah, along with Falconi, the work that is represented in Milan, by company Almirante-Tofano in 1926. Always with the Falcons, in 1927, leads the chatradio programme, and a year later leaves the journalistic profession to devote himself to the theatre. In 1937 it makes its first film, tonight at eleven, of which he is the author; the task of Director ends in the early 1950s, the movie black feathers, but continues to screenwriter. He is the author of numerous plays and theatrical variety, along with Dino Falconi, and after the war will deal with political satire. Bajaj is a screenwriter of the film bicycle thievesHe died in Rome in 1971

 

 

Filmography

 

The call of the heart, the screenplay, by Jack Salvatori, 1930

La segretaria privata, screenplay by Goffredo Alessandrini

Model Wanted, screenplay, Emmerich Wojtec Emo, 1932

The last adventure, subject, by Mario Camerini, 1932

La segretaria per tutti, subject, Amleto Palermi, 1933

Just married, subject, by Guido Brignone, 1933

Seven days a hundred Liras, subject, by Nunzio Malasomma, 1933

One night with you, screenplay, by Ferruccio Biancini, 1933

Lisetta, screenplay, by Carl Boese, 1933

Cavalry, screenplay, by Goffredo Alessandrini, 1936

Nozze vagabonde, subject, by Guido Brignone, 1936

Nina non far la stupida, screenplay, by Nunzio Malasomma, 1937

Tonight at eleven, author and Director, 1937

At your orders, Madame ..., screenplay, by Mario Mattoli, 1938

Friendship, 1938

La mazurka di papà, author and Director, 1938

Thousand pounds per month, subject, Max Neufeld, 1938

The legacy in racing, screenplay and direction, 1939

Frenzyand script too, by Mario Bonnard, 1939

La gerla di papà Martin, screenplay by Mario Bonnard, 1940

Piccolo alpino, screenplay and direction, 1940

The fortune teller, screenplay and direction, 1941

The dream of all, subject, screenplay and direction 1941

the tramp, screenplay, by Carlo Borghesio, 1941

Giarabub, screenplay by Goffredo Alessandrini, 1942

Us alive, screenplay, by Goffredo Alessandrini, 1942

Saint Helena, small island, screenplay, by Renato Simoni, 1943

The Bandit, screenplay, by Alberto Lattuada, 1946

Fatal Symphony, screenplay, by Victor Stoloff, 1946

Tehran, screenplay, by William Freshman and Giacomo Gentilomo, 1946

Heart, screenplay, by Duilio Coletti, 1947

Bicycle thief, the screenplay, by Victory De Sica, 1948

Heart of the sea, the screenplay, by Giorgio Bianchi, 1949

The flame goes out, screenplay by Vittorio Cottafavi, 1949

Vespro siciliano screenplay, by Giorgio Pàstina, 1949

Thel caimano del Piave, screenplay, by Giorgio Bianchi, 1950

Tomorrow is another day, the screenplay, by Léonide Moguy, 1951

Other times – Zibaldone n. 1, screenplay, directed by Alessandro Blasetti, 1951

Art. 519 codice penale, screenplay, Leonardo Cortese, 1952

Songs of half a century, the screenplay, by Domenico Paolella, 1952

Don Camillo, screenplay by Julien Duvivier, 1952

Black feathers, screenwriter, author and Director, 1952

The voice of silence, screenplay, by Georg Wilhelm Pabst, 1952

Wanda la peccatrice, screenplay, by Duilio Coletti, 1952

Amori di mezzo secolo, screenplay, by Antonio Pietrangeli, 1953

Variety, screenplay, by Domenico Paolella, 1953

Scampolo ' 53, script, by Giorgio Bianchi, 1953

Cento anni d'amore, screenplay ep. Love ' 54, by Lionello De Felice, 1954

Divisione folgore, screenplay, by Duilio Coletti, 1954

A free woman, screenplay by Vittorio Cottafavi, 1954

Il cardinale Lambertini, screenplay, by Giorgio Pàstina, 1954

The great hope, screenplay, by Duilio Coletti, 1954

The slave of sin, subject, by Raffaello Matarazzo, 1954

A Parisian Lady in Rome, subject, by Erich Kobler, 1954

Red and black, screenplay, by Domenico Paolella, 1954

Nel gorgo del peccato, screenplay by Vittorio Cottafavi, 1954

Songs from across Italy, screenplay, by Domenico Paolella, 1955

Desert lovers, screenplay, by Flavio Calzavara, 1956

Eyes without light, screenplay, by Flavio Calzavara, 1956

La canzone del destino, screenplay, by Marino Girolami, 1957

The Green age, screenplay, by Bruno Jori, 1957

Sunday is always Sunday, screenplay, by Camillo Mastrocinque, 1958

Are no longer guaglione, screenplay, by Domenico Paolella, 1958

Gladstone, screenplay, by Mario Bonnard, 1959

The moralist, screenplay, by Giorgio Bianchi 1959 death of a friend, subject, by Francesco Rosi, 1959

Winter holidays, screenplay, by Camillo Mastrocinque, 1959

Crimen, screenplay, directed by Mario Camerini, 1960

Femmine di lusso, screenplay, by Giorgio Bianchi, 1960

Genitori in blue jeans, screenplay, by Camillo Mastrocinque, 1960

Joseph sold to brothers, Screenwriting, by Irving Rapper, 1960

The delights of Saturday night, screenplay by Daniele d'anza, 1960

Maciste nella valle del re, scenarios and scripts, by Carlo Campogalliani, 1960

Noi duri, screenplay, by Camillo Mastrocinque, 1960

The invansori, screenplay, Mario Bava, 196

Maciste alla corte del Gran Khan, screenplay, by Riccardo Freda, 1961

Maciste nella terra dei ciclopi, screenplay, by Antonio Leonviola, 1961

Marco Polo, screenplay, by Peter Pierotti, 1961

Pontius Pilate, screenplay, by Gian Paolo Callegari, 1961

Songs of yesterday, today, tomorrow's songs songsand script too, by Domenico Paolella, 1962

The masseuses, screenplay, by Lucio Fulci, 1962

Maciste all'inferno, screenplay, by Riccardo Freda, 1962

My friend Benito, screenplay, by Giorgio Bianchi, 1962

The bridge of sighs, screenplay by Piero Pierotti, 1964

The fixed idea, story and screenplay, by Gianni Puccini and Mino Guerrini, 1962

 

 

Theatre

 

Triangles, by Dino Falconi and Oreste Biancoli, directed by Dario Niccodemi, Teatro Manzoni, Milan, 1930

The city of fireflies, rivista di Dino Falconi and Oreste Biancoli, 1941

Ah ... Here we go again!, magazine of Falcons and Biancoli, 1942

W and down with, by Riccardo Morbelli, directed by Bajaj, Bajaj and 1944

1959, Garinei and Giovannini, magazine De Tuddo and Monicelli, directed by Oreste Biancoli, 1944

2 1959, rivista di Garinei and Giovannini De Tuddo, Monicelli directed by Oreste Biancoli, 1945

A year later, lyrics and directed by Oreste Biancoli, 1945

Quo vadis?, Journal of Biancoli, falcons and Vali, 1948

Red and black, 1954, Ciorciolini and Mantoni magazine Biancoli

 

Radio RAI varieties

 

The memoirs of Mr. Tal de Such, weekly variety Biancoli e Franco Zeffirelli, 1953

From today to yesterday, radio Fantasy by Oreste Biancoli e Franco Scaglia, directed by Riccardo Mantoni, 1965

 

 

RAI tv variety show

 

Anthology of humorby Biancoli, Falconi, Marcello Mastroianni, Vittorio Metz, Scarnicci, Renzo Tarabusi, Silva, directed by Mario Landi, 1954